This is an account of a paper stirring up the art world, apparently. Extract:
Through Sketch Engine, Rule and Levine found that “the real” – used as a portentous, would-be philosophical abstract noun – occurred “179 times more often” in IAE than in standard English. In fact, in its declarative, multi-clause sentences, and in its odd combination of stiffness and swagger, they argued that IAE “sounds like inexpertly translated French”. This was no coincidence, they claimed, having traced the origins of IAE back to French post-structuralism and the introduction of its slippery ideas and prose style into American art writing via October, the New York critical journal founded in 1976. Since then, IAE had spread across the world so thoroughly that there was even, wrote Rule and Levine, an “IAE of the French press release ... written, we can only imagine, by French interns imitating American interns imitating American academics imitating French academics”.
Sketch Engine and collocation dictionaries, what’s it all about?