hooch / hootchy-kootchy
Hooch, the liquor; hootchy-kootchy, the sexually suggestive dance; and hooch, a hut or dwelling all look similar, but in fact are all from different roots.
The name for the liquor is native American in origin. It is from the Tlingit, after the Hoochinoo Indians of Alaska and a distilled liquor manufactured by them. From Seal and Salmon Fisheries and General Resources of Alaska, 1869:
The natives manufacture by distillation from molasses a vile, poisonous life and soul destroying decoction called “hoochenoo.”1
The clipped form appears in 1897 in M.H.E. Hayne’s Pioneers of the Klondyke along with a recipe for making it:
As the supply of whisky was very limited, and the throats down which it was poured were innumerable, it was found necessary to create some sort of supply to meet the demand. This concoction was known as “hooch”; and disgusting as it is, it is doubtful if it much more poisonous than the whisky itself. This latter goes by the name of “Forty rod whisky”—a facetious allusion to its supposed power of killing at that distance!
The manufacture of “hooch,” which is undertaken by the saloon-keepers themselves, is weirdly horrible. It is as follows:
Take sugar of molasses an unlimited quantity; add a small percentage of dried fruit or, in summer, of berries; ferment with sourdough; flavor to taste with anything handy—the “higher” flavoured the better—such as old boots, discarded (and unwashed) foot-rags, and other delicacies of a similar nature. After fermentation, place in a rough sort of sill, for preference an empty coal-oil (kerosene) tin, and serve hot according to taste.2
Hootchy-kootchy, a suggestive dance, somewhat short of a striptease and often performed as a carnival or side-show attraction is of unknown origin.
The word first appears as a nickname for a minstrel entertainer in 1890. What relation this has with the later uses is not known. From Biff Hall’s 1890 The Turnover Club:
I have been told that one night “Hoochy-Coochy” Rice, the minstrel man—they always call Billy “Hoochy-Coochy,” because he invariably says that whenever he comes on stage—entered Hoyt’s room with a dark lantern and a jimmy and stole a new song which the author had just written.3
The sense meaning a suggestive dance appears in 1895 in James Thornton’s song The Streets of Cairo or The Poor Little Country Maid, about a young woman going unescorted to the World’s Columbian Exposition in Chicago in 1893. The “streets of Cairo” is a reference to one of the exhibits at the fair that featured belly dancers, among other attractions:
She never saw the streets of Cairo,
On the Midway she had never strayed,
She never saw the kutchy, kutchy,
Poor little country maid.4
The familiar form of the word appears in the 1896 Amherst College yearbook, the Olio:
Ide and Ward entered the one mile hoochee coochee.5
Finally, the sense meaning a hut or dwelling is more recent and is from military slang. Originally, the term was hoochie and is probably a borrowing from the Japanese uchi, house. The term comes courtesy of the American post-war occupation forces and those stationed in Japan during the Korean War. It first appears in 1952, in the San Francisco Examiner of 26 October:
The “hoochie” is a GI term for a bunker or a prepared defensive position.6
Also from c.1952 is the ribald song Lee’s Hoochie (recorded by Oscar Brand on his 1961 album Out of the Blue), sung to the tune of On Top of Old Smoky, about an airman who contracts a venereal disease from a prostitute, Miss Lee:
Way down in Seoul City,
I met a Miss Lee.
She said, “For a short time,
You can sleep with me.”
I went to her hoochie,
A room with hot floor.
We left our shoes outside,
And slid shut the door.7
Within a decade, the clipped form hooch had appeared. From Richard Tregaskis’s 1962 Vietnam Diary:
A lot of hooches (native huts or houses).8
1Historical Dictionary of American Slang, v. 2, H-O, edited by J.E. Lighter (New York: Random House, 1997), 136-37.
2M.H.E. Hayne and H. West Taylor, The Pioneers of the Klondyke (London: Sampson Low, Marston and Company, 1897), 90-91.
3”Biff" Hall, The Turnover Club (Chicago: Rand, McNally & Company, 1890), 75.
4Lester S. Levy Collection of Sheet Music, Johns Hopkins University, accessed 9 Feb 2009 <https://jscholarship.library.jhu.edu/handle/1774.2/31253>.
5HDAS, v. 2, H-O, 136-37.
7Ed Cray, The Erotic Muse: American Bawdy Songs, 2nd Edition (Urbana: University of Illinois Press, 1999), 407-09.
8HDAS, v. 2, H-O, 137.
Copyright 1997-2013, by David Wilton